How to Succeed in Business Without Really Trying 2012

Spring 2012: How To Succeed In Business Without Really Trying

Music and Lyrics by Frank Loesser, Book by Abe Burrows, Jake Weinstock, and Willie Gilbert

A satire of big business and all it holds sacred, How to Succeed in Business Without Really Trying follows the rise of J. Pierrepont Finch, who uses a little handbook called How to Succeed in Business Without Really Trying to climb the corporate ladder from lowly window washer to high-powered executive, tackling such familiar but potent dangers as the aggressively compliant "company man," the office party, backstabbing coworkers, caffeine addiction and, of course, true love.

PIT

Piano

French Horn

Violin

Cello

Bass

Flute

Trumpet

Clarinet

Guitar

Oboe/English Horn

Saxophone

Trombone

Percussion

Sara Akl

Jonathan Ohmart

Katie Zimmerman

Kaaleb Adera

David Griggs

Brian Roy

Leah Naidorf

Zak Comer

Allen Wong

Amanda Morgenthal

Norah Stephanos

Olivia Barrow

Susan Swicegood

Jonas Creason

Anna Gai

Lauren Breeden

Mariah Sinden

Troy Singer

Christian Thorsen

Ross Koon

Josh Bressler

Will Berry

CAST

Mr. Bratt

Ms. Jones

Vicki

Mr. Jenkins/Voice of Book

Hedy LaRue

Mr. Twimble/Wally Womper

Mr. Matthews

Smitty

Nancy

Lily

Mr. Peterson

Mr. Tackabery

Ms. Krumholtz

Bud Frump

Peggy, Dance Captain

Mr. Davis

Kathy

Jackie

Mr. Gatch/Mr. Ovington

J. Pierrepont Finch

Meredith

Rosemary

JB Biggley

Oliver Atwood

Brooke Dalby

Megan Dumond

Joseph Folds

Alexis Greenberg

Chris Halverson

Jacob Irby

Anne Jordan

Moira Lennon

Paige Leslie

Andrew Miller

Jared D. Morgan

Daria Mosman

Daniel Owen

Theresa Pazanowski

Thaddeus J. Potter

Sydney Shivers

Katie Somers

Patrick Watson

Wesley Webster

Alexandria Wishy

Natalie Wyman

Kevin Zeithaml

PRODUCTION STAFF

Producer

Asst. Producer

Business Manager

Asst. Business Manager

Alumni Chair

Fundraising Chair

Publicity Chairs

Social Chairs

Historians

Technical Director/Webmaster

Nick Everington

Lauren Lukow

Luke Brennan

Emma Volpe

Ryan Richardson

Rich Farella

Clay Kerchof

Conor Sheehey

Leah Davis

Matt Savarese

Anna “Babs” Schneider

Kyle Hughes

Ali Stoner

Alex Cooper

TECH STAFF

Asst. Technical Directors

Stage Managers

Set Designers

Master Carpenter

Asst. Carpenters

Lighting Designers

Master Electrician

Asst. Electricians

Head Painters

Asst. Painters

Co-Sound Designers

Sound Managers

Prop Mistresses

Head Costumer Designer

Asst. Costumer Designers

Head Hair/Make Up

Asst. Hair/Make Up

Run Crew Chiefs

Bethany Martin

Blake Griggs

MaryClaire Martin

Hales Parcells

Ayanna Reese

Anne Donnelly

Joe Crittenden

Peter Conklin

Rachel Ford-Fink

Olivia Hairfield

Christie Boyden

Quinn Gomola Mullin

C.J. Whitaker

Alex Hutcheson

Tiffany Ly

Patty Jerjian

Barbara Porada

Kimberly Farmer

Eliza Reyes

Nicole Wrigley

Kevin Muir

Rich Farella

Andrew Elliot

Ryan Laychak

Brandon Christopher

Maureen O’Connor

Natalie Brown

Erin Rodenberger

Kristina Wiles

Sarah Steely

Shannon Egan

Sarabeth Vernon

Meghan Smith

Danika DiPalma

Hannah Todd

Ashley Gilroy

ARTISTIC STAFF

Director

Asst. Directors

Vocal Directors

Choreographers

Pit Director

Katie Ulmer

Brittany Peterson

Phillip Rodgers

Tim Carroll

Christine Coogle

Rachel Dady

Kate Gadzinski

Alexandra Johnson

Richie MacLeod

Chelsea Marcelin

Cam Garrison

Producer's Note: Nick Everington

Welcome to FYP Presents: How to Succeed in Business Without Really Trying! We’re so happy to have you join us for what will no doubt be a splendid performance. I’d like to take some time to thank those who have made this production possible, as well as reflect on this semester in First Year Players.

We are exceptionally fortunate to have in Katie Ulmer a director who has thrown herself into this production more than I could have thought possible. Katie, you’ve done more for this organization than I could ever have asked for, and I am so grateful that this is how you have chosen to spend your last semester at UVa. Lauren Lukow has been fantastic as Assistant Producer, making this hectic semester run a little smoother and I’ve been incredibly grateful to have her around.

Alex Cooper, you have been an exceptional Technical Director, thank you so much for the countless hours you have put in over the past seven weeks. I would also like to thank my friends Luke Brennan and Ryan Richardson for their unwavering support this semester, you two always believed in me and although, trust me, I do not have the hardest job in this organization, I could not have done it without you both. When I ran for the position of Producer, I spoke about challenging FYP more than it has been in the past.

This semester has been unique for two reasons; first of all, How to Succeed has been prepared in a little over seven weeks – far shorter than the usual preparation period of an FYP show. This is a phenomenal achievement for the cast, tech, pit and A-staff, and of course the organization as a whole. We took on a challenge this semester and I’m proud to say that everyone in FYP rose to it. That is really what FYP is about, taking on a monumental task and getting through it by supporting each other along the way.

I’ve been involved in FYP for three years and yet it wasn’t until this semester, my first as Producer that I truly noticed how much goes into a show like this. It has been a truly humbling experience. The second reason why this semester is unique is that, unusually, we are producing a show that is currently on Broadway. How to Succeed has a national excitement about it, and it is an absolute delight to be a part of this frenzy. I hope that you feel as much a part of it tonight as we do.

Enjoy the show!

Director's Note: Katie Ulmer

I have been involved with FYP since my first semester, first year. I joined and participated primarily as a member of the technical staff, but proposing to direct a show for this organization is something that I always dreamed about. Since getting the position, people often ask me, why did you choose How to Succeed In Business Without Really Trying?

I saw the show for the first time about a year ago when I saw the Broadway revival with Daniel Radcliffe. I have to admit that it was my love of Harry Potter that got me into the theater, but it only took me two minutes to realize there was something special about this show. When it was over, it easy claimed a spot as one of my favorite shows of all time. It is so much fun and is so entertaining that you can’t help but enjoy every minute. When I was looking back through the playbill after the show was over, I couldn’t help but think that it would be a perfect show for FYP. It is a true ensemble show that allows everyone to have a hilariously great time, whether you are performing or watching.

The story follows J. Pierrepont Finch, a young window washer who finds a book that helps him rise to the top of the corporate ladder. The story follows him as he progresses chapter by chapter into higher positions at the World Wide Wicket Company in a matter of weeks. The show is a satire of the early-1960s business centered world, and so along the way, the audience is introduced to different personifications of stereotypical businessmen and practices from the 1960s.

Other than the fact that How to Succeed is pure enjoyment from the Overture to the bows, I was also drawn to the themes that the story presents. I found them relatable not only to today’s society, but especially to young adults at schools such as UVA. Underneath all of Finch’s actions lies ambition, determination, and desire to succeed and improve, which is a common trait of all students that attend UVA, and something to which the first years could personally relate. They are all starting fresh at a new school and they are eager to rise to the top and make the most of their experience.

I am extremely proud of everyone in this organization and all of the work that they have put into this production whether it is as a member of the cast, artistic staff, technical crew, pit, or production staff. Every single member of this organization has made this show what you see tonight, and it is because of each and every one of them that we were able to produce this show in just a matter of seven weeks. Students producing full-length musicals without any faculty supervision is a daunting task, but when you shorten the rehearsal and design process to just seven weeks, it becomes an incredible undertaking. I am happy to say that it is an undertaking that everyone rose to meet and one that everyone faced head-on in order to make the show a wonderful success, and I want to personally thank them all for their hard work and support. Thank you all so much for coming to support this organization and our production of How to Succeed In Business Without Really Trying. Enjoy the show!