Spring 2015: Godspell

 

Music and Lyrics by Stephen Schwartz

Book by John-Michael Tebelak

 

The structure of the musical is that of a series of parables, mostly based on the Gospel of Matthew (three of the featured parables are recorded only in the Gospel of Luke). The parables are interspersed with a variety of modern music set primarily to lyrics from traditional hymns, with the passion of Christ treated briefly near the end of the performance.

CAST

Jesus

 

John the Baptist/Judas

 

"Day by Day", Ensemble

 

"Learn Your Lessons Well" , Ensemble

 

"Bless the Lord", Ensemble

 

"All Good Gifts", Ensemble

 

"Light of the World", Ensemble

 

"Turn Back O Man", Ensemble

 

"By My Side", Pahrisee #1, Ensemble

 

"We Beseech Thee", Pharisee #2, Ensemble

 

Socrates, Pharisee #3, Ensemble

 

Thomas Aquinas, Ensemble

 

Galileo, Ensemble

 

Hegel, Pharisee #4, Enemble

 

Gibbon, Ensemble

 

L. Ron Hubbard, Ensemble

 

Jean Paul Sartre, Ensmeble

 

Marianne Williamson, Pharisee #5, Ensemble

PIT

Josh Gritz

 

Grayson Harlow

 

Natalie Pernick

 

Annie Frazier

 

Bri Cabrera

 

Micah Watson

 

Stephen Diggs

 

Mia Venkat

 

Jess Littman

 

Joey Hamilton

 

Saadhana Kukkala

 

Nolan Reilly

 

Ben Warrick

 

Brittany Bolick

 

Holly Brooks

 

Olivia Tate

 

Sarah Perkins

 

Ben Andre 

Guitar

 

 

Piano/Keyboard

 

 

Electric Bass

 

Drums/Percussion

TECH

Timothy Davison

Jet Von Liszt

 

Luc Cianfarani

Zhu Jingqi

 

Garrett Spencer

 

Richard Davis

Austin Riggins

Set Designer

Assistant Technical Directors

 

 

Stage Managers

 

Master Carpenters

 

Assistant Carpenters

 

Carpentry Consultant

Head Lighting Designer

Assistant Lighting Designers

 

 

 

Master Electrician

Assistant Electricians

 

Head Painters

 

Assistant Painter

Sound Designers

 

Head Costumers

 

Assistant Costumers

 

Props Mistresses

Hair/Makeup Designer

Run Crew Chiefs

A-STAFF

Nora Walls 

Katherine Donnally

David Silverman

Adrianna Taweel

Ria Witteman

Paul Ammer

Nicole Chaney

Patrick Bond

Zach Wilson

Connor McLean

Patrick Rasmussen

Sean Lyons

Nancy-Wren Bradshaw

Chloe Downs

Olivia Comm

Liam Dwyer

Claire Poumerol

Andrew Shanes

Erica Comm

Brian Morris

Brendan Rogers

Rachel Steiner

Eliza Lane

Madi Lahey

Noah Sauber

Tori Lindsey

Jaclyn Lund

Michaela Brown

Sabrina Herzing

Cassidy Peregoy

Jean Paula Salac

Sophia Padilla

Anna Barr

Hannah Hicks

Director

Assistant Directors

 

Vocal Directors

 

 

Choreographers

 

 

 

Pit Director

PRODUCTION STAFF

Joe Folds

Tim Lewis

Caroline Werenskjold

Andrew Burrill

Ana Mendelson

Catherine Schreiber

Brandon Christopher

Lou Garcia

Ashley Houze

Nick Mattia

Allen Wong

Producer

Assistant Producer

Business Manager

Assistant Business Manager

Publicity Chairs

 

Fundraising Chair

Social Chairs

 

 

Historians

 

Alumni Chair

Webmaster

Technical Director 

Nina Lukow

Alex Cutting

Roshni Gorur

Kelsie Hendren

Ashley Houze &

Hailey Stoudt

Katie Penland

Jordan Best

Maia Foster

Juwan Palmer

Erin DeMane

Katherine Kettler

Nick Mattia

Evan Cohen

Daniel Barr

DIRECTOR'S NOTE

  I'm often asked why, with the whole wide world of musical theater to choose from, I selected Godspell, a show with ostensibly little plot, no scene changes and a vocal score as complicated to learn as anything Broadway has to offer. Jokingly, my response is often that this has been FYP's required penance for mounting its production of Mel Brook's The Producers last fall. Certainly it is hard to imagine a more different show to round out this year's theatrical season.

 

     In reality though, the process that led me to fall in love with this show and ultimately to its performance here for you tonight began four years ago, when I myself was a first year and found myself sitting on the steps of the Rotunda late at night being welcomed into an organization that would become my home and produce some of my very best friends in the world. As a part of the cast of FYP's The Music Man in the fall of 2011, what immediately struck me about this group is the love and connection that exists between all of its members. In other words I was struck by the incredible community that I was quickly becoming a part of.

 

     As anyone in the cast will tell you, community is something that is very important to me. In fact it is entirely what Godspell is about. Its messages of love and kindness slowly bind its characters together into one cohesive whole where once few ties existed between them. By the end of the show the community is shown to be truly stronger than any one individual or just the sum of its parts. It is something altogether more powerful. At its core, this is a message that I believe that deeply resonated with me when I first saw this show close to four years ago.

 

     Not only did it resonate with me personally, but it resonated with me as a powerful reflection of everything that I had come to understand FYP stood for. In many ways this show is FYP. When FYP was founded more than 30 years ago one of its first shows was Godspell. Since then it has been performed there more times, and this run will mark its fifth production. I have to believe that we keep coming back to it because we recognize something in ourselves on that stage. We are all of us at times drifting through life on our own paths, but when we stop for a moment and come together we can make something beautiful and that is what FYP, indeed what theater is all about.

 

So tonight we invite you to come on this wonderful journey with us and to become a part of our loving community if only for a little while. Know what we will always welcome you with open arms. Now sit back, relax and prepare ye to enjoy the show!

 

-Joe Folds

PRODUCER'S NOTE

    When our talented FYP director Joe Folds first proposed Godspell, a show I knew little about, I must admit I was skeptical at first. What would this show, which I imagined as being a deep, brooding religious musical, bring to FYP? Little did I know the power behind this incredible musical, with its themes of community and live and it’s catchy, compelling music that sticks in your head for days after. After a challenging and tumultuous year at U.Va, in which we were battered and unwillingly thrust into the national spotlight again and again, I believe there are strong, binding theme we can learn from in Godspell, not just of loving one's neighbor but standing resilient and together when facing strife. We are strongest not alone, but in unity. I encourage you to walk away from Godspell emboldened and inspired by these lessons.

 

     Like Godspell, it took a community to make this show happen and I would be remiss to not acknowledge them. To every member in FYP who made this possible, from tech teams to the pit orchestra, from cast to the artistic staff, thank you, from the bottom of my heart. Our production would be no where without the talented work of our Tech Director, Dan Barr, Pit Director, Allen Wong, and of course, Joe Folds, our Director and the man with the vision behind it all. To the Production Staff, I express my greatest gratitude and awe of working among such dedicated individuals. FYP's true value lies in the loving community that continues to grow with each show and I am proud to serve an organization that shares this love and joy with the audience.

 

So please: sit back, relax, and enjoy the Spring 2015 production of Godspell.

 

-Nina Lukow

  • Facebook - White Circle
  • Instagram - White Circle
  • Twitter - White Circle
  • Flickr - White Circle

Although this organization has members who are University of Virginia students and may have University employees associated or engaged in its activities and affairs, the organization is not a part of or an agency of the University. It is a separate and independent organization which is responsible for and manages its own activities and affairs. The University does not direct, supervise or control the organization and is not responsible for the organization’s contracts, acts or omissions.